Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.
Electronic minute no 145 - pattern 2 with some wave shapingpattern 2 with some wave shaping. Simple graphic score. Fun. Well this pattern and patch wasnt that interesting. More to come. The pattern is here: https://www. Instagram. Com/p/bms6mpeg4n8/?taken-by=gis_sweden.
Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.
This is a wave of some sounds that remind me of what sound design for the rugrats cartoon backing music. I made the sounds using an fm synthesis patch on the ios application "addictive synth" on my ipod touch and recorded the audio within the app. No post-processing was done to the audio. Here's a link to synth app http://itunes. Apple. Com/app/addictive-synth/id455651228?mt=8.
Title pulsating synth-humming Artist stephan Original mp3 data Length:0:42 minutes (814.84 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags abstract, Wave Type Synthesized, Experiment PDSounds record number 333 Comment Sound experiment. Abstract wave pattern. For background fills in audio-visual media. Oscillating, vibrating, pulsating hum, humming.
All my sound effects are always created from scratch. Handcrafted using only the finest frequencies and waves. If you alter my sounds in any way i can not be held responsible for your health and safety.
Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.
A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.
A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.
Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.
This is a digital swoosh sound that i made for a track because i couldn't find one so i made it my self using a synth and an fx vst, it sounds like a cross between a sea wave and a jet pass.
Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.
Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.
Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.
I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.
Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.
Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.
An orchestration of a few synth sounds, placed in a pleasing order. The synths were individually chosen and some were effected. Then the entire wave file was reversed.
Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.
I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.
It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.
Made using two synths. One is a noise generator that has been pitched down three octaves. It has a 12-hertz sine tremolo on either side, one of which is offset by half a wavelength. The other synth is a deep organ playing e3 and g3. I cut the sound in audacity, and the waves line up perfectly, so you don't need to worry about looping it badly.
Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.
